Cary Grant, Eva Marie Saint, James Mason, and Martin Landau in North By Northwest (1959). C: Robert Burks. D: Alfred Hitchcock. |
Alfred Hitchcock is my favorite director, and North by Northwest is my favorite Hitchcock film. It is #3 on my list of all-time favorite films, just behind Casablanca (1942) and Chinatown (1974). Six of Hitchcock's films are in my top 101, and three are in my top 25. (Rear Window [1954] is #8 and The 39 Steps [1935] is #18.)(Macreedy is my imdb handle.)
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Robert Burks photographed eleven of Hitchcock's films, beginning with Strangers on a Train (1951) and ending with The Birds (1963), although he didn't work on every Hitchcock film in that period. While Hitchcock occasionally worked with other cinematographers, Burks worked with other directors as well. He shot Hondo (1953) for John Farrow, The Vagabond King (1956) for Michael Curtiz, The Spirit of St. Louis (1957) for Billy Wilder, and The Music Man (1962) for Morton DaCosta. Burks was nominated for an Oscar four times and won for To Catch a Thief (1955).
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Screenwriter Ernest Lehman is one of the greatest screenwriters almost no one has ever heard of. But you've heard of the movies he has written or adapted for the screen: Sabrina (1954), The King and I (1956), Somebody Up There Likes Me (1956), Sweet Smell of Success (1957), North by Northwest, West Side Story (1961), The Sound of Music (1965), and Who's Afraid of Virginia Woolf? (1966), among others.
Censors poured over North by Northwest, especially the script. They forced a change in the dialogue in the scene on the train with Roger Thornhill (Cary Grant) and Eve Kendell (Eva Marie Saint). Kendell says in the original script, "I never make love on an empty stomach." To appease censors, Lehman changed it to "I never discuss love on an empty stomach." When you watch the movie, watch Eva Marie Saint's lips when she delivers her line. Hitchcock simply looped her new line in and didn't reshoot the scene. You can see her clearly say "make love" while you hear "discuss love."
The censors were hesitant to allow the character Leonard (Martin Landau) to even appear to be possibly gay, and they wouldn't allow the script to take it further. During filming, however, Lehman added a line for Leonard that wasn't in the script censors reviewed: "Call it my woman's intuition." It slipped through the censor's net. And they didn't catch the symbolism of the train entering the tunnel at the end of the movie either.
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Cary Grant was the ideal actor to play Roger Thornhill. William Holden was briefly considered but never offered the job. If you think about it, had Grant not been available, Hitchcock could've made this movie with Holden as Thornhill and not lost much, if anything, in the characterization.
Hitchcock filmed one scene at the Plaza Hotel, the one where Thornhill walks into the hotel and down a corridor toward the "Oak Bar" (a common, unofficial nickname for the Oak Room). They didn't film inside the Oak Room itself but at MGM Studios in Culver City where an exact replica of the Oak Room was painstakingly built. In fact, all the shooting inside the Plaza Hotel was done with one take. Grant walked into the hotel, down the corridor, turned the corner, and went straight to the room that MGM had provided him at the Plaza, which he had insisted on as part of his deal. He was done for the day.
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Ambassador Hotel, Chicago |
Ambassador Hotel (Los Angeles) |
C: Robert Burks D: Alfred Hitchcock |
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